A page with the latest gossip, news, techniques and changes in super8 [lab-] land. Here you find the '2010 news', and the the '2009 news'. On the last page you find the 'news archive' with articles from pre 2008. Last update 11 January 2012.
| Handmade Emulsion Research at IFFR Over the years the festival supported the truly independent culture of handprocessing filmmakers and artist run filmlabs. Now that the whole moving image industry is turning digital on all levels, the need for securing filmstock, printers and processing machines becomes more urgent than ever. Important question is also if there is an alternative available for the filmstocks in case the professional labs discontinue the production. In collaboration with the local lab WORM.filmwerkplaats a research trajectory is initiated on a particular aspect of the real 'home grown' type of film: the creation of handmade film emulsions. The first step is a two day hands-on workshop lead by Esther Urlus, Alex MacKenzie and Robert Schaller to be held in WORM 30-31 january 2012. For the experienced film artists and artist run labs only. The results will be published on the WORM.filmwerkplaats blog and the www.handmadefilm.org
And now you know where you can find me these two days! |
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| Kodak Vision-3 already in super8 format The American company Pro8mm released the new Kodak Vision-3 50ASA color negative film in a super8 cartridge. I think it's available in Europe via Wittner-Cinetec Germany, as they do a lot of business together. [11 January 2012]. |
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| Studio2m loopmachines Ruud Molleman is a legend when it comes to building loopmachines for 16mm projections. He created them ever since I met him at the Rietveld academie Amsterdam somewhere around 1993. His Studio2m also build a new fresh a very interesting website. Click the image and go see for yourself, I say congratulations Ruud! [8 January 2012]. |
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Lecture and walk in Den Haag (incoming message) Program The cost are € 24.50 each person, register using the form on the website of the Film Atelier. |
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| Kodak The large Kodak company has a lot of problems as we can read in the news in the past weeks. That's not nice and it doesn't make us feel any better, after all we love Kodak. I just want to point out that the situation for celluloid film makers doesn't look bad at all. The division MPI (Motion Picture Imaging) is doing okay and if Kodak goes bankrupt there is a very high chance that Kodak MPI will make a new start, so that celluloid film will be available for the future. [6 Januari 2012] |
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| New Year 2011-2012 Because of Christmas and New Years day the lab will be closed from Thursday 22nd December 2011 until Tuesday 3rd January 2012. Happy New Year! Films arrived before Wednesday 14th December 17.00 hours can be developed before our holiday, but that's not a guaranty, we do our best. Wegen das Weihnachtsfest und Neuen Jahr wird das Labor von Donnerstag 22. Dezember 2011 bis Dienstag 3. Januar 2012 geschlossen sein. Frohe Weihnachten und Neues Jahr! [12 December 2010] |
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| Data scanning |
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WittnerChrome F64T and UN54 in our range *WittnerChrome F64T Fujichrome Professional film* *Wittner B&W UN54 Orwo film* Of course you can also order these films directly in Germany from Wittner Cinetec. Be quick since F64T is a limited available. (click image to enlarge two boxes). |
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Nanolab Australia |
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| Movie camera |
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| Steve Jobs |
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Home Movie Day |
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Kampen The 8mm Festival in Kampen is one of its kind. Residents of Kampen for residents of Kampen. Completely stripped of all the (useless) extra's that you get when you visit film festivals, these people in the middle of the country stay cool. This is an 8mm festival as it is intended to be, amateur movies at it's peak quality. A friendly atmosphere, everyone knows each other, and in some way contributed to one of the films ('9 films this year "; according to the enthusiastic presenter!) or helped in other ways to make it a successful evening. With so much local friendship and brotherhood you become an 'outsider' very easily. And that's okay, I sincerely hope they never change this tradition and stick to what actually matters on a film festival; one projector and one projection screen. C'EST TOUT. (click to enlarge more images). [21 September 2011] |
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Run out |
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Filmbank Den Haag |
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Do it with Super8 |
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WittnerChrome F64T a new super8 film |
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SchmalFilm magazine article 'Perfektionist des Nichtperfekten' |
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Fuji RT200N is history |
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Frisco Yannick Wijgman works mainly in assignment for shops and companies. The (advertising) movie you can view here on the right (play it full screen) is shot entirely on Kodak Ektachrome 100D film. It has been developed by this lab and transferred in HD quality by Daan Müller from de Smalfilmwerkplaats. Personally I find the result crisp, fresh, neutral of colour and it has a very good sharpness. This is how beautiful super8 can be on a digital format. [16 August 2011]. |
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Fomapan R100 production |
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Super8 by J.J. Abrams |
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SchmalFilm magazine article 'Perfektionist des Nichtperfekten' |
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Dochters |
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Clockwise turning |
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Somnio film festival |
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Chairs |
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| It's almost here, the summer holidays |
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It is here, a new book! |
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Building a darkroom |
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| 8mm festival Kampen calling (via e-mail) The lovely 8mm film festival Kampen Netherlands is open for submission, please download the PDF file here. You can print and send it via regular post or use their e-mail address: 8mmfestival@gmail.com. If you want to order the DVD from last year for only €5,00 excluding sending please write them with the subject 'order DVD'. Thanks for the attention and hope to see you at the festival. The 8mm Festival. facebook: http://www.facebook.com/pages/8mm-festival/197902126911446 hyves: http://Het-8mm-Festival.hyves.nl/ twitter: http://twitter.com/8mmfestival [17 May 2011] |
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Piggy-back |
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Analogue film has the future |
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Video clip Producer Nina Spiering made in co-operation with director Mirka Duijn the video for Bart Constant - "Do Better" (with Dustin O'Halloran). The music video was partly shot on Ektachrome 100D that was processed by this lab and scanned by Die Filmwerkstatt from Germany, part of it was done in HD. The result is a stylish video and that was achieved because they also spend a lot energy on the colour grading. Now the super8 and video images become 1. Please click the small image for a larger version of the file than the one on the right. [04 April 2011] |
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Fomapan R100 production stop |
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Petition supporting L'Abominable (shortened e-mail to the lab) The non-profit organization L’Abominable in the suburbs of Paris, has been able to gather the energy, competence and equipment to offer an impressive range of techniques for the processing and the printing of Super-8, 16mm and 35mm film, as well as digital transfers to and from these formats. The association functions by apprenticeship: the filmmakers more proficient in the equipment teach others how to operate and use tools which were previously thought to be inaccessible and too complicated to be used by the general public. This do-it-yourself operation has yielded its fruit: more than 250 works have benefited from L’Abominable’s existence since its creation in 1996. Its activity and experience in this particular area, the wide range of services it offers and the quality of the works created with its assistance have given it an internationally recognized reputation and a particular importance within the network of artist-run film labs in Europe and abroad, even though its public funding remains minimal. To support us by signing this petition, please go to: http://www.l-abominable.org/petition |
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9th April 2011 German Waghausel film fair |
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Do-it-yourself super8 transfer Sometimes the lab receives url's to fantastic online movies. This is one of them (click image). James Miller used a Eumig movie projector and a Canon photo camera to make his own super8 transfer machine. You can see the results on the left. I think it is awesome, just project the 8mm film directly onto the ccd chip of the full-frame photo camera. There are many pro's and con's about this setup but the main issue is that everyone that hasn't much money or just likes to play with moving pictures can rebuild a system like this. [21 March 2011] |
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Schmalfilm Magazine does large E6 development lab test In the current issue of German Magazine SchmalFilm is an article about E6 processing lab's in Europe. Why they then call it a world wide test is strange. Anyway. This lab named as Super8.nl was also part of their investigation and we came out with the judgement 'GUT', that means that I did pretty okay I guess. All lab's were not aware they were part of the test, and it did not matter if the company that offered the E6 development did the work in their own house, or that they asked some other lab to actually do the processing. It's was the end results that counts. Please judge for yourself by reading the article, click the image (German language). The most important result is that all lab's performed well :-) [03 March 2011] |
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Spanisch soundfilm |
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Urgent Action Required by UK Filmmakers to Save 16mm in the UK (copy from an e-mail that was send to us) Dear UK-based 16mm filmmakers, As you probably know, the UK's last major commercial film lab, SOHO LAB, has decided to stop 16mm printing, due to a takeover by Deluxe, an American-owned company. To take some action, I'm compiling a list of all the 16mm print work UK filmmakers will need carrying out by 1st May (some known, some realistically projected), and will send this to Deluxe/Soho Film Lab, as evidence that we still present a viable economic return to them, and that their service is of enormous value to UK art. If you know of anyone else who is likely to get 16mm print work done, please pass this message to them and ask them to email the work they'll need in a concise way. Please email brief details of the required 16mm print work with your name and email contact below to: cherrykinocinema@yahoo.com and I'll copy and paste this into a document to send to the Deluxe/Soho Lab, and will post the final version on Frameworks and the Labos forum next week. Sunday is the deadline, giving us all 7 days to do this. Please take action now! Also sign the petition here: http://www.gopetition.com/petition/43288/sign.html And for more info, you can read Tacita Dean's article in the Guardian here: http://www.guardian.co.uk/artanddesign/2011/feb/22/tacita-dean-16mm-film And this link from David Leister: http://www.facebook.com/note.php?note_id=10150108880963985&id=208259048984 I have no idea if this will make any difference, but we have to try! [01 March 2011] |
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16mm campaign Five Dutch companies have joined forces in the campaign "I Love 16mm". The idea is to persuade film makers to shoot on (super-) 16mm! Step 1. Anyone who now rents a camera via: Camera Rentals [Charlie Mcgough 020-6630386] or Golden Eye [Kelly Lee Stone 020-6345127] may benefit. Step 2. Let Fujifilm Motion Picture Film [sales office 020-6250714] or Kodak BV Netherlands [Janneke van Meeteren / Louis Machado 020-6545259] know that you participate in the action. Step 3. Then leave the rolls of film developed, prepared and scanned to digital format at Cineco Digital Post Lab [Robert de Vries 020-5658411]. If you follow these three steps, you get an unbelievably low price that is very competitive compared to video or digital recording but with the superb image quality of film. Until June 1, 2011 shooting on 16mm is extra cheap .... [28 February 2011] |
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Kodachrome + sound A promo film for super8 shot on super8 film by German magazine 'Schmalfilm'. Here a quote from their e-mail that came along; 'Liebe Freunde des schmalfilm, nun ist er online, der erste Clip, der für Super 8 und schmalfilm wirbt. Wir haben Super-8-Freaks gefragt, warum sie auf Super 8 drehen. Und sie haben uns ihre Antworten auf einer letzten Kodachrome 40 Soundfilm-Kassette in 60 Meter Länge gegeben. Die ist schnell noch nach USA verschifft worden, um bis Ende Dezember 2010 bei Dwayne's entwickelt zu werden. Nun ist der Kodachrome Geschichte und wir haben die vermutlich letzte Großraum-Tonfilmkassette dort entwickeln lassen.' Why would you shoot on super8? Here are the answers from German super8 lovers. [04 februari 2011]. |
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Smalfilmtest website (Dutch) There is a new Dutch website that sums up many different telecine and scanners that are being used to transfer super8 into a digital format. It can be practical to know what system you're own transfer company is using so you also know what to expect or what not. Sorry that it's only written in Dutch. [02 Februari 2011]. |
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IFFR 2011 App You know! [28 januari 2011]. |
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Filmprogram with original Kodachrome @ IFFR 2011 If you're in Rotterdam please try out of of Guy Edmonds programmes. During the IFFR Guy Edmonds will present two short programmes that will celebrate the peerless qualites of Kodachrome film stock now that its manufacture and development have finally ceased. On 30th December 2010 the last film was developed at Dwayne’s Laboratory in Kansas, 75 years after the first rolls were threaded into 16mm cameras. Though Kodachrome, the king of film stocks, is dead it is not yet buried. Indeed kept in the right conditions most Kodachrome images will still be exhibiting the trademark palette hundreds of years into the future. Like the similarly deceased Technicolor, Kodachrome is a colour process that adds colour dyes to a black and white base and it is this that is the foundation of its distinctive look as well as its impressive archival characteristics. In order to convey the true essence of Kodachrome Guy Edmonds will project outstanding original reversal films – shorts consisiting of amateur films and home movies such as West of the Rockies and Holland Somewhere, and industrial films such as Encartonnage des bobines Photographiques. Different permutations of the material from its 75-year lifetime will both celebrate and investigate the concept of the Kodachrome aesthetic. From the collection of Eye, the film Tarting Over by Paul and Menno de Nooijer will demonstrate an ideal preservation case study. DATES Once and Future Kodachrome 1 January 31st 2011, 18:00-19:00, Lantaren Venster 6 Once and Future Kodachrome 2 February 3rd 2011. 22:00-23:00, Lantaren Venster 6 Guy Edmonds works for the EYE Filminstitute, formerly known as Filmmuseum. [28 januari 2011]. |
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TV debut The Dutch news and entertainment show EditieNL on RTL4 television screened the item on super8 filming this evening at 18.15 hours. It was my so called tv debut, even if it was very short and it's clear that I'm not used speaking in front of a camera. [Read the news item from 21st January]. The edit of the super8 Ektachrome 100D next to the digital video shots workes very well, it has a nice feeling to it. More important is that the tv show informed the viewers that you can make a super8 film today. That was the best advertising so far. Via the RTL website you can view the item as streaming video (Dutch language only). [26 januari 2011]. |
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Free super8 transfer During the IFFR you can get a free scanning/telecine to DVD of 1 super8 film of three minutes at the Kunsthal. (This free telecine service is not offered via my lab, but done by our concullega SuperSens). In the meantime you can view the screening of 25 super8 films at the same time, a project by Johan Kramer called 'Bye Bye Super8'. [Update 31 jan -> added images, click logo]. [26 januari 2011]. |
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International Film Festival Rotterdam The biggest film festival of the Netherlands starts today for the 40th time. From 26th January until 6th February 2011 you can view films on many different places and enjoy good old restored classics but also avant-garde art. The place to be for short films is the new LatarenVenster. Short films are films that have a maximum length of 60 minutes. The 'Tiger Awards for Short Film' is something to keep in mind. In the program 'Spectrum Short' is a film by Arianne Olthaar , her film is made entirely on super8 colour negative and shows abandoned nightclubs. So go and have fun! [26 januari 2011]. |
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Digital is boring!(PDF) With permission and thanks to author Sasha Bronwasser you can download the article 'Digitaal is saai!' on super8 as a PDF file (Dutch language). This article was first published in 'de Volkskrant' newspaper on 21 Januari 2011 on page 6 and 7 from the 'art pages'. [25 January 2011] |
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Editie NL In the Netherlands are a few 'news and entertainment shows' around diner time. 'Editie NL' or 'Dutch Edition' is one of them. They came to me on Friday 21th January for a short interview on super8 film making in this digital age. The reporter was very enthousiastic and made some shots with my Canon 1014xl-s camera and he wants to use the Ektachrome 100D results in the final edit. So if you can view RTL4 television Wednesday 26th or Thursday 27th January at 18.15 hours the show starts! You would also have to understand Dutch language. Click the image for a large version, on the left reporter Michiel Sampon and on the right side cameraman Oleg. [22 January 2011] |
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Digital is boring! Dutch Newspaper 'de Volkskrant' published a major article on super8 today. You can view it online, but reading Dutch language is neccesary. The story is about different film makers that still/use super8 film as their medium. During the upcoming International Film Festival Rotterdam you can view some projects on super8 (see also previous news item). It's good that there is more attention for the super8 film format. I'm asking to publish the article as PDF file on my site. Or maybe also as tekst file so you can use a translation website. [22 January 2011] |
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Kodachrome news *Read an article about Dwayne's in the NYT. *Kodak made a tribute page on Kodachrome. *Here a link to an article about Dwayne's from the BBC. *Here info's on the film project by Johan Krame 'Bye Bye Super8'. He made it on 'the last Kodachrome' super8 films. The project is presented at the IFFR2011 in Rotterdam. He could better have named it 'Bye Bye Kodachrome' since one might think there's no more super8 available, but we all know there's more choice than ever before *Also interesting to read is howto develop Kodachrome as black and white film. On that page you'll find a lot of details but my experience is that you will need a lot of patience to get a viewable result. I tried many different methods without good results because every time the emulsion falls from the base. Thanks to Onno, Frank and Richard for part of the links. [04 January 2011] |
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